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Uttarayanam

Award winning avant garde Malayalam film “Uttarayanam” (1974) directed by G. Aravindan and starring Sukumaran, Adoor Bhasi among others.

The underlying theme of the movie is exposing corruption in ideology. The film focuses on the main protagonist Ravi who is a masters in literature and reads literary masters but does not find any employment anywhere, typical of the scene in 70s Kerala.

His grandfather was a follower of the Gandhian principles of non violence whereas his father had taken up the revolutionary ideals of Bhagat Singh. The film moves into flashback mode to show us the conflicting ideologies at play.

He seeks company of Kumaran Master, the last known friend of his father, who gives him letter of recommendations to one Gopalan who had during the revolutionary movement turned sides against them, but is now a corrupt politician. His friend David who hated politics from his college days is now a trade union leader, mediating for business persons against difficult labour situations. His another friend from college days Premkumar (Sukumaran) who is now a medical rep but spends his leisure time on drinks, smoke and women.

So Ravi is a confused aatma frustrated at not getting his due worth. His family is worse off, not having even milk to drink coffee with. There are only empty promises and corrupt ideologies with hypocrisy ruling the roost.

Aravindan has crafted a masterpiece with his first ever movie. His opening long shot of a train amidst the green foliage of Kerala is breathtaking and so is the camera work and cinematography throughout the movie. There are long shots which are picturesque as well as stunning close range shots through cubby holes, windows, doors which are quite brilliant. The silhouette shot of the cover image is breathtaking. Its a kind of a neo realism cinema practiced by the masters like Satyajit Ray, Vittoria de Sica and others with closer to the ground natural settings. imdb 7/10

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